Biography
Biography
Mezzo-Soprano Sarah-Nicole Carter has been hailed by the L.A. Times as "simply wonderful", by San Diego Story as a “fiery mezzo-soprano who added verve and vibrant color”, The Salt Lake Tribune as having a "velvety alto" and by other critics as conveying a "sharp wit and wistfulness"
Her last engagement postponed due to Covid-19 was Rossini’s Stabat Mater with La Jolla Symphony. Recent performances have included Giovanna in Rigoletto and Kate in Pirates of Penzance with San Diego Opera, Berta in The Barber of Seville and Jack’s Mom in Into the Woods at Utah Festival Opera and Musical Theater, and a debut at the Kennedy Center performing La Lettre du jardinière by Marcel-Lucien Tournier.
Other favorite performances have included La Ciesca and The Mistress of Novices in Il trittico, the alto solos in Bach’s Mass in B minor, and Mrs. Darling in Peter Pan with Utah Festival Opera and Musical Theater, Marte in Faust with Opera Modo, Bianca in The Rape of Lucretia and Mama McCourt in The Ballad of Baby Doe as a Guest Artist with Spotlight on Opera, Orlofsky in Die Fledermaus with Capitol Opera Raleigh and Jade Boucher in Dead Man Walking at Opera Fayetteville.
She has performed in concert with San Diego Opera, Opera Saratoga, Eureka Symphony, Bach Collegium San Diego, La Jolla Symphony Chorus, Musica Vitale, the Los Angeles Conducting Institute, San Diego Master Chorale, San Diego Festival Chorus, Loveland Opera, Utah Festival Opera and Musical Theater, and Grossmont Symphony Orchestra.
SN is a staff singer at The Mission Basilica in San Juan Capistrano, a Core member of the San Diego Opera Chorus, a founding member of the FF Collective, a San Diego performance collective amplifying women's voices, and has continued her education during Covid-19 studying improvisation a the Upright Citizen's Brigade Theater.
Her last engagement postponed due to Covid-19 was Rossini’s Stabat Mater with La Jolla Symphony. Recent performances have included Giovanna in Rigoletto and Kate in Pirates of Penzance with San Diego Opera, Berta in The Barber of Seville and Jack’s Mom in Into the Woods at Utah Festival Opera and Musical Theater, and a debut at the Kennedy Center performing La Lettre du jardinière by Marcel-Lucien Tournier.
Other favorite performances have included La Ciesca and The Mistress of Novices in Il trittico, the alto solos in Bach’s Mass in B minor, and Mrs. Darling in Peter Pan with Utah Festival Opera and Musical Theater, Marte in Faust with Opera Modo, Bianca in The Rape of Lucretia and Mama McCourt in The Ballad of Baby Doe as a Guest Artist with Spotlight on Opera, Orlofsky in Die Fledermaus with Capitol Opera Raleigh and Jade Boucher in Dead Man Walking at Opera Fayetteville.
She has performed in concert with San Diego Opera, Opera Saratoga, Eureka Symphony, Bach Collegium San Diego, La Jolla Symphony Chorus, Musica Vitale, the Los Angeles Conducting Institute, San Diego Master Chorale, San Diego Festival Chorus, Loveland Opera, Utah Festival Opera and Musical Theater, and Grossmont Symphony Orchestra.
SN is a staff singer at The Mission Basilica in San Juan Capistrano, a Core member of the San Diego Opera Chorus, a founding member of the FF Collective, a San Diego performance collective amplifying women's voices, and has continued her education during Covid-19 studying improvisation a the Upright Citizen's Brigade Theater.
